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What is Method Acting?
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  • Written By: Garry Crystal
  • Edited By: Niki Foster
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    2003-2012
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Method acting, or as it is sometimes simply known, the Method, is a technique used by actors. Method acting is thought to have revolutionized acting as we known it today. It is the antithesis of the wooden actor and uses techniques such as sense and memory to achieve realism in acting. Actors who use the Method rely on using their own emotions from their past in order to bring new depth to a part.

Method acting is thought of as an American form of acting, but it was a Russian theatre director named Konstantin Stanislavski who wrote books on the subject in the 1930s. Around the same time, one of Stanislavski’s students, Richard Boleslawsky, opened an acting school in New York. Boleslawsky began teaching Stanislavski’s basic principles of acting.

In the 1940s and 50s, method acting was popularized and taught at the legendary Actors' Studio in New York City by famed acting teacher Lee Strasberg. Another school in New York, called the Actors' Group, also taught the method under the coaching of Stella Adler. Acting students came from far and wide to learn this new technique.

Popularity of the Method grew with the work of actors such as Marlon Brando and James Dean. Their style of acting, or non-acting, was considered a breakthrough in the acting world. Compared to old style actors such as Clark Gable, theirs was an acting of previously unseen raw emotion and sensitivity. Other famous actors who have studied the Method are Al Pacino, Paul Newman and Robert DeNiro.

Method acting is thought to one of the most difficult techniques to learn; there are no technical forms or lessons that can be practiced to learn it. There are numerous versions of the Method, taught by different teachers. The initial approach was to recall a past experience and immerse oneself in the emotion of that experience so as to apply it to the scene presently being undertaken.

Stella Adler, who taught method acting to both Marlon Brando and Robert DeNiro, studied method acting with Stanislavski. She took a different approach to method acting. She asked students to use their imagination to get into the mind of the character and adopt the emotions that the character would have. By doing this, actors could harness real emotions in portraying their characters.

Although method acting is thought to be the most realistic of techniques it can sometimes present a minor irritation to other actors. Dustin Hoffman once went without bathing and sleeping for two days in order to immerse himself in a role. On seeing Hoffman’s condition, Laurence Olivier his co-star in the film, famously asked him, "Why don’t you just act?"

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anon162346
Post 26
why are people jealous of talented people just because they themselves are nerds and not capable of doing anything in life? It's so easy to criticize and so difficult to create. method or no method, brando was and will remain one of the most amazing actors this world has ever seen.
anon139428
Post 25
The simplest way to describe method acting is it's about human behavior in front of a camera or onstage. If anything it's about "not acting" and its genre is realism, which applies to most movies and stage plays today.
anon128340
Post 24
I have read reams about method acting and still do not know what the word means! What we want it to, I suppose. I hold it responsible for the common fault, especially in American soaps, of screwing up your face and body into a suitable expression and attitude for the next line before you deliver it. Ugh!
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anon124960
Post 23
i believe that stella adler did a great job with her method acting. as a student who studies drama, i love her method, and i will use it until i die. but here in south africa there's no actor that lives the character of his/her role. they're all faking it, especially in the soap that is called generations.
anon123700
Post 22
What a great work they did there, but I believe we should start thinking on another new way to do the stuff. I am a film director based in Cameroon. Etiendem R.
anon90607
Post 21
Hey anon 60049, you have absolutely no idea.

Brando's performance in 'On the Waterfront' is nothing short of extraordinary and revolutionary. You have no humanity or understanding of acting if you can't see that.

If you want to see just how good he is, look at the performances of everyone else in that film. He is quite simply in a league of naturalism and emotion all of his own.

Kazan's genius was just meeting Brando and making sure he continued to work with him! Couldn't go wrong.

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anon74612
Post 20
I have to agree with Stella Adler. Every person has a life story: values, attitudes, behaviors they were taught, experiences they have lived through, and this restricts their behavior at any moment in time as each person is restricted to his/her own life story. Don't you at times wish you could be somebody else? I think that is the appeal of acting.
anon70838
Post 19
Thank god for comments ranting about Brando and Dean! I'm so sick and tired of hearing about them. Especially Dean, who was the most overrated actor of all time. Brando was revolutionary but that's was all. People seem to think he was a god or something.
anon70031
Post 18
Personally I think that both James Dean and Brando were amazing actors! They didn't 'over-play' the character as some more popular actors nowadays do. And they really found the inner emotions of the character to make it convincing and believable to the audience.

James Dean was famed to be so into character that he'd have troubles getting 'out'. And I love Stella Adler's approach to the Method, really makes sense to me.

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anon62563
Post 17
Sorry, posters, but I'll have to cry "foul" on the Marlon Brando hating. Even if you can't appreciate his performance, he deserves recognition for taking method acting in cinema to another level.
anon60049
Post 16
I have to agree with anon 58984. Brando's acting in On the Waterfront is just so bad it's laughable. And those eyebrows, wow!
anon58984
Post 15
James Dean was the most overrated actor of the 20th century. Marlon Brando wasn't much better. The 1930's produced real acting and true character portrayal. These mush mouthed, tortured souls are simply tiresome!
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anon55946
Post 14
Richard Boleslawsky is not American. He is Polish.
anon51004
Post 13
I found this to be very helpful to be used in drama sessions and also can be used in life. very good.
anon49792
Post 12
Studying acting helps anyone in life. Talking and getting what you want; Jobs, etc.
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karanmicky
Post 7
A very informative article indeed -- one which has encouraged me to try and find out more about the method. The comments of nbohr99 are not complete as he talks about a 'Terrific Guide'. Can the details of the guide be given please? It would be a great help in my search. -- Karan
nbohr99
Post 3
I found a terrific guide to method acting. The guide covers relaxation, concentration and sense memory. These are the foundations of method acting. It details several exercises, including the "breakfast drink" and "the mirror". Best of all the guide is free...
malena
Post 2
I believe Stella Adler was the only American acting instructor to have studied with Stanislavski.

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